The point of view eye level close up shot of the tap, we found was particularly not only creepy, but built greater tension in this sequence due to it developing a normal bathroom necessity into a method of death and ultimately an embodiment of fear. We attempted to replicate this within our opening, to determine the more passive persona's fear for everything, how everything reminds and demonstrates to her her alter ego which she is attempting to escape from. Thus we used this close up point of view shot of the tap also.
The editing of the London walk in St Trinian's uses editing where frames are separated into blocks to seem like individual shots and frames, as a means of transitioning from one to the other. We replicated this in our piece, to transition her travelling, not only because it synchronised with the music but it separated the frame which illustrates the separation of our characters personality where she is torn and split between altering characteristics.
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